Review: Weavingshaw by Heba Al-Wasity

A square crop of the front cover of Weavingshaw by Heba Al-Wasity
There is something about the symmetry of this cover design for Weavingshaw that is very appealing.

The house was immense, and built like a fortress to withstand violent sieges. More than forty darkened windows watched their insignificant carriage pull up to the front, resembling dilated eyes unblinking in silent judgement. Ivy draped the pale limestone bricks, and wild roses tangled up from the soil. The single turret towered over them, parting the mist. To the left were the burned remnants of a crumbling tower, the walls decaying and blackened. Deathgrips, their still-violet petals a contrast to the dull browns of late autumn, grew like a moat surrounding the house, as if to ward away any wolves that might be growling at the edge of the forest.

page 253
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Review: The Poet Empress by Shen Tao

A square crop of the front cover of The Poet Empress by Shen Tao.
I really love this front cover design for The Poet Empress, it is very striking! The art was done by Kelly Chong.

Let me burn and burn until the whole empire is devoured, along with all its corruption, its villainy, its rot. Let me burn and burn until this night is not remembered, nor this year, nor this dynasty, until even history is buried in ash. And then maybe green things would grow again.

page 267, Maro
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Review: Fingersmith by Sarah Waters

A square crop of the cover of Fingersmith by Sarah Waters.
I am not a huge fan of this particular cover design for Fingersmith but its the only one I could find a high resolution copy of to use for this review.

She will laugh. The sound is as strange, at Briar, as I imagine it must in a prison or a church. Sometimes, she will sing. Once we talk of dancing. She rises and lifts her skirt, to show me a step. Then she pulls me to my feet, and turns and turns me; and I feel, where she presses against me, the quickening beat of her heart–I feel it pass from her to me and become mine.

page 254
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Review: Open Water by Caleb Azumah Nelson

A square crop of the front cover of Open Water by Caleb Azumah Nelson.
This cover design for Open Water is rather striking, I love the use of colours and the two characters divided by the red and yellow.

Waiting for the bus in the darkness, you pull on the hoody. It smells like her: sweet like the torn petal of a flower, sweet like lavender plucked from its stem while in summer bloom. You put your headphones on and load up Kelsey Lu’s EP, Church, an album full of orchestral loops designed to reach towards a quiet ecstasy. You could be anywhere right now, your eyes closed, enveloped in her presence, which is heavier in her absence. But you are home, amongst the melody, slipping into percussive breaks, breathing easy.

page 45
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Review: Saoirse by Charleen Hurtubise

A square version of the front cover of Saoirse by Charleen Hurtubise.
Saoirse currently has two different covers, this is the European cover, the copy I read had a different cover. Both have the same painterly art style.

She sits on a chair and stares out at the greyness, at the studio at the bottom of the garden. She tries to ignore the stone in her abdomen, and though it has begun to move, to ripple at times, she cannot think of it as anything other than something inanimate. A heaviness that will sink her to the bottom of the ocean. Nothing can live in this environment, the acidic sorrow inside her.

page 104
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